My Mother and Faye Dunaway

How a single parent kept her glamor up (originally published in Vogue)

Paul Greenberg

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“Faye Dunaway the day after winning the Academy Award (Oscar)” by urcameras is marked under CC PDM 1.0. To view the terms, visit https://creativecommons.org/publicdomain/mark/1.0/

I was born in the shadow of Faye Dunaway’s cheekbones. Those cheekbones and I were introduced to the world the same summer — the cheekbones, via Dunaway’s break-out portrayal of Bonnie Parker in the 1967 Academy Award-nominated film Bonnie and Clyde, and I, through the auspices of my mother and the obstetrics ward of New York Hospital. Six years later, when Dunaway first appeared in the pages of Vogue, my mother, with her angular good looks and dirty blonde hair, seemed to have fallen into a disturbing parallel with Bonnie Parker. Like the nice-girl-turned-bank-robber Dunaway portrayed, my mother was on the run — from a collapsing mansion in Westchester, from a psychiatrist ex-husband whom she felt had used his profession to manipulate her, from the very conceit of the nuclear family. Like the most famous Dunaway heroines, my mother was stormy and impulsive and drawn to things that looked good from a distance. Maybe that’s why in 1973, the same year Richard Avedon shot Dunaway for Vogue, my newly divorced mother moved me and my older brother to Greenwich, Connecticut, the wealthiest town in America.

The technicalities of life confounded her. The engine of our Land Rover exploded (my mother knew…

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Paul Greenberg

New York Times bestselling author of Four Fish as well as The Climate Diet and Goodbye Phone, Hello World paulgreenberg.org